When principles are framed and generalized as knowledge, how do we view everything when the unknown remains infinite?
Named after a section called “Tian Xia 天下” (Under Heaven) from Zhuangzi, where Zhuangzi and Hui Shi engage in a debate in the 3rd century BCE.
In this project, I try to visualize my perplexity and thoughts regarding understanding binary and hierarchical systems of knowledge production.
Driven by a relentless curiosity to know more, I visit nearby universities, museums, libraries, laboratories, and archives—any spaces where knowledge resides—as often and widely as possible. I am consistently overwhelmed by the colors, symbols, textures, and materials of the objects within, and by the fragments of reality they embody. Back in my studio, almost obsessively, I analyze my photographs to understand what triggered me. I research the history and presence of these locations, and I create more photos based on my understanding, all while grappling with the humbling realization that it is impossible to know all.
I make work to find answers, that have yet to exist.
